Current Issue
Vol. 6 No. 4 — October  2016

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Sometimes Anger Is the Necessary Response: Reading Chris Kraus’s I Love Dick
  by  L. Timmel Duchamp
Una O’Connor unleashes her scream
   by Gwynne Garfinkle

A Death of Hippolytos
The Other Lives
   by Sonya Taaffe

Grandmother Magma
The Girl We Forgot (and Really Shouldn’t Have):
Speak of the Devil and Other Work by Elisabeth Sanxay Holding
  by Sarah Zettel

The Apothecary’s Curse, by Barbara Barnett
   reviewed by J.M. Sidorova

Staying with the Trouble: Making Kin in the Chthulucene , by Donna Haraway
   reviewed by Nancy Jane Moore

Sleeping Under the Tree of Life ,
by Sheree Renée Thomas
   reviewed by David Findlay

Featured Artist
Madeline Galbraith

The Cascadia Subduction Zone

A decade into the 21st century, the world of books, the world of the arts, the world of criticism have all been caught up in violent, unpredictable change. A large part of this change has been unleashed by a continual stream of technological innovations that impact our daily lives and even our personal as well as professional relationships. Technology is changing how we read and what we read, is challenging the very forms and genres in which we write, and is making criticism and reflection more valuable and necessary than it's ever been.

Despite the many and continual changes reshaping the world of books and the arts, one factor remains constant: work by women writers is always assigned a marginal status in critical venues (except, of course, in venues that focus exclusively on work by women writers).

The CSZ aims to treat work by women as vital and central rather than marginal. What we see, what we talk about, and how we talk about it matters. Seeing, recognizing, and understanding is what makes the world we live in. And the world we live in is, itself, a sort of subduction zone writ large.

“If your takeaway…is that The Cascadia Subduction Zone sounds really interesting, you’re not wrong—it’s a wonderful journal filled with thoughtful and insightful criticism.”
    — Niall Harrison, The Guardian, May 12, 2016

Mexico Night

Traveler, Madeline Galbraith