Current Issue
Vol. 8 No. 1 — 2018

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Genius Communitas
  by  Nisi Shawl

Suite of Poems
  by Neile Graham

Singers of the Deep
a response to Alexander
Pushkin’s “Arion”
   by Maya Chhabra

Grandmother Magma
Why Science Is Practiced So Awkwardly
Reflections on Gender and
, by Evelyn Fox Keller
   by Jennifer Stevenson
Book Reviews
The Wayward Children series,
by Seanan McGuire
   reviewed by Arley Sorg

Mountain, by Ursula Pflug
  reviewed by Joanne Rixon

The Obama Inheritance, edited by Gary Phillips
  reviewed by Cynthia Ward

Luminescent Threads, edited by Alex Pierce
and Mimi Mondal
   reviewed by Ayana Jamieson

The Emerald Circus, by Jane Yolen
   reviewed by Kristin King

Featured Artist
Chris Roberts

The Cascadia Subduction Zone

A decade into the 21st century, the world of books, the world of the arts, the world of criticism have all been caught up in violent, unpredictable change. A large part of this change has been unleashed by a continual stream of technological innovations that impact our daily lives and even our personal as well as professional relationships. Technology is changing how we read and what we read, is challenging the very forms and genres in which we write, and is making criticism and reflection more valuable and necessary than it's ever been.

Despite the many and continual changes reshaping the world of books and the arts, one factor remains constant: work by women writers is always assigned a marginal status in critical venues (except, of course, in venues that focus exclusively on work by women writers).

The CSZ aims to treat work by women as vital and central rather than marginal. What we see, what we talk about, and how we talk about it matters. Seeing, recognizing, and understanding is what makes the world we live in. And the world we live in is, itself, a sort of subduction zone writ large.

“If your takeaway…is that The Cascadia Subduction Zone sounds really interesting, you’re not wrong—it’s a wonderful journal filled with thoughtful and insightful criticism.”
    — Niall Harrison, The Guardian, May 12, 2016

Slipcase art from The First Fifteen Lives of Harry August by Claire North